Friday, 26 April 2013

Old abandoned houses in my village.


I found these old abandoned houses near where I live and they are beautiful. I love the crumbling features and the boarded up  windows give it an eerie feel to it. I used water colours for my postcard to capture the blocks of colours in the bricks. For the boarded up window I used oil pastels. I first coloured the window with grey then used black to cover the grey and using a wire I scratched into the surface to reveal the grey and to make the window seem like the paint was pealing off. I think it worked very well.






Trip to Cardiff Museum


Me and Kirsty decided to take a trip to Cardiff museum on Easter half term. We went around the museum and afterwards I bought some postcards of the Cardiff area. I decided to take some photos around Cardiff area for some postcards ideas I really loved the Cardiff skyline because of all the shapes look very busy. I also looked closely at the architecture on the buildings around Cardiff like in the image bellow I focused in on an archway.
I took a postcard of Castle Coch and used inspiration to create a mixed media piece using paints, pens and newspaper. I also cut out a skyline from my train ticket on that day.

Clay Relief Postcards


Yesterday I took advantage of the ceramic studio and began to create a clay postcard. I used one of my photographs as my inspiration. The photograph was of a church near Cowbridge. I rolled out a clay panel and took some extra clay and I began to build up from the panel and I added some texture using some of the clay tools. I wanted the most prominent thing to be the brick wall so using some clay squares I elevated the brick wall section higher. I have no left the clay to dry out ready for the kiln. I will make some samples for glazes and oxides next to test out what I could use for my final samples. This is one of three for my FMP I hope to make a triptych. 

Thursday, 25 April 2013

Postcards in the making

I began to start making some postcards from my area using mixed media, materials and processes. Some are incomplete but its good to show my progression to what will be the final things. I used photographs and began adding different materials such as newspaper, card and fabrics on top. 



Here I just used pencils to create the arch way on a building in Cardiff. I like that contrast of simplistic images and quite busy postcards.






Molly Rausch inspiration.

The first artist I looked at Molly Rausch who is an artist based in New York and she uses a stamp and paints beyond the stamp to extends the scenes and create a scenery.



These inspired me to create my own stamp series. So I used paints and pencils and had my own go and these are some of the outcomes some of them worked well and others were not great because working on a smaller scale was quite difficult when you have to be so detailed. I would take care next time. 


I noticed that Molly Rausch uses some humor in her work and it helps to make the scenery more interesting so I drew the queen on a giraffe. 









Wednesday, 10 April 2013

Compare and contrast between Tim Davies and Martin Parr


Compare and Contrast Tim Davies and Martin Parr
Recently I have been looking at artist, photographers and crafts people to research for my final major project and I have come across Martin Parr and Tim Davies. I noticed some similarities and differences between their works. 
Martin Parr is a British documentary photographer, photojournalist and a photo book collector. I have been looking closely at his book ‘Boring Postcards’ where he shows off his collection of simplistic photographic postcards. The thing that drew me into this book was the idea of just photographs on all of the pages and how retro the postcards were.


I have also been looking at Tim Davies and his book ‘Between A Rock And A Hard Place Oriel Gelf Glynn Vivian Art Gallery’. In this book you see a range of Davies’s work. Different media, processes and techniques going on but they are all to do with landscapes and architecture. The thing which drew me towards this book was the postcards. The figures in the landscapes, as the use of postcards relate to my final major project.
The first similarity I picked up on was the same media used. Both Martin Parr and Tim Davies use the media of photography in their work. Martin Parr uses photography for the whole of his book on every page there is an image of a certain place with a small sentence of where that photograph was located. Tim Davies is not just a photographer he is and all round artist. Tim Davies however uses photography but just as a starting point. For instance he takes the photograph and cuts and removes parts or he cuts and moves certain parts of the image. To me both of these artists have done this to portray the image in a certain way. Martin Parr is just a photographer. He uses all of these photographs and leaves them untouched as he wants to preserve them in his collection. Some may argue that this might be boring but that is what the whole book is about. A collection is finding something and preserving that in the environment of the same thing. Whereas Tim Davies wants his images to be interesting and he wants to draw in our attention because by seeing change in that photograph I became interested. Like in his postcards he doesn't leave them untouched he takes away space and uses the postcard as a starting point to create a silhouette. I was drawn in because of the mystery of the negative spaces and blank shapes.
The next similarity I found out was the use of postcards. Martin Parr finds and collects postcards then presents them in his book. Tim Davies uses postcards and changes them. Both artists work on a small scale. Not all of Parr’s postcards are the same size but they are all on a small scale. They do gather some interest because of the differences between the postcards. Some are larger than others and some have corrugated edges. In ‘Between A Rock And A Hard Place’ all of Tim Davies work is on a small scale, his postcards, bridges and twisted photographs. By working on a small scale this gathers interest and helps you focus in on detail. Martin Parr sticks to the same scale and shape, rectangular, whereas Tim Davies likes to his work to be any shape he wants but still remain inside that rectangular or square background.
The final similarity is the use of landscape by choosing a postcard it is symbolic of a landscape or destination of where you are. Martin Parr shows us a range of landscapes and destinations in his collection of postcards and Tim Davies shows landscapes in most of his work. His ‘bridges’ give us an insight to a landscape but it shows mostly the functionality of different bridges. In his photographs he shows landscapes in a different way. They are twisted turned to create interest and they add mystery to that landscape. It gives us time to decipher the landscape. And finally in his postcards they symbolise a place but as he as removed figures this could emphasise the landscape more of make you draw more attention to the missing figures. So by choosing landscape both Davies and Parr symbolise a location but they show it in a totally different way. Parr decided to keep it simple and let the postcards do the talking whereas Davies decides to add mystery to all of his given locations. 
By researching these two artists I have found out different processes and materials to use and what works best with what. I have also learnt simplicity of Photographs and how you can add to them more to develop mystery or interest.


Saturday, 6 April 2013

Critique on my double page spread of textiles in my portfolio

 
 I decided because I want to go into the foundation degree in art and design that I should show a variation in my work and show all the materials and processes that I have worked with in the previous two years in college. This double page spread is of my textiles and fashion work. Even though textiles is my weaker subject I still made good work to include in my portfolio. For the double page spread I included my seams, design sheets, fabric bodice and my paper bodice design. The best textile work I have done would be the seams. I like how they come together to form a series and they also look very professional in my portfolio. To improve my seams I had to neaten up the edges and ironed out any creases. I then had to pin them neatly onto plain white A1 paper and insert them into my portfolio. I think this shows that I can work with a range of textile processes and techniques. If I were to improve on them I would redo some because of the seams were not as straight as I would have liked. On the other side of my double page spread I created a busy but sophisticated layout. This included my fashion design drawings as a background and half of the fabric bodice along with the paper bodice design folded neatly and presented in packaging. I think using the design sheets as a background gives it the perfect depth. It shows the design ideas to the final idea. I love the packaging for my paper bodice. It looks very professional. I think there is a perfect balance of busyness between the two pages. I have one busy and one simplistic page, the different attractions help to give a sense of the different layouts I can produce. My only issue on the whole would be that the pages doesn't strike me. I think if I added more neutral colours It would help to draw more attention but overall I am very pleased with the final outcome.